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Symbols are our psyche’s way of informing countless internal myths with content

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As a cultural strategist my creative studio practice sits at the crossroads of semiotics & personal mythology. My ever-growing visual library (archived here) exists to explore life’s tensions & themes by exploring visual codes found in boundary objects such as: ⌛(life/death),  🚪(portal/passageway), 🕳️ (shadow/unknown), 🌳(fertility/family), etc. 

More about the work here... With a professional expertise rooted in unlocking cultural insight for brands—I use my non-commercial practice to explore both slow & fast visual-reads of life’s major questions and topics. The work includes distilled marks, drawings, & loops and is informed by my academic background in design, theatre, & psychology. Overall, my approach is rooted in lo-fi image-making. Here I can reject the slick, the tech, and the ‘more, more more’ in order to capture ideas with raw imperfection & nuance. Work that retains it’s physical history and a summarization of feeling is success. My production kit mostly made-up of a combo of simple materials in day-glo pallate that fit on or around a table-top (paper, sand, sculpy, pen, ink, rosolux gels, household objects). 

Currently this work exists for my personal cartharsis but I am actively seeking out short-term residency opportunities for Spring/Summer/Fall ‘25. Ultimately, this practice will always be a Jungian-style visual anthology that stays curious, and tends to always hover above some kind of body based inner-work. 

What I am up to... Outside of making these ‘curious things to look at’ I have been developing a self-funded stop-motion short film. 

I also have a deep love of analog media and both collect and experiment with collaged 35mm slide projection, VHS camcorders & film, cassette case artwork, and 35mm film photography. 

In my 9-5  I’ve worked as visual designer and brand strategist for the past decade in some of NYC’s top boutique brand consulting agencies. I am currently the Head of Storytelling at a privately owned Manhattan-based research agency.

Recently, I made the difficult decision turn down acceptance into two MFA film animation programs at CalArts & USC. A dream of mine—that unfortunately, just wasn’t quite right for the season. I am actively seeking out crit circles, mentors, classes, and residencies with hopes to fill in the gaps from that amazing missed opportunity. 

Currently, I am based in the southern-east coast in a sleepy beach town where I am practicing becoming a beach person, enjoying family, doing bikhram yoga, and learning to “yes-and” via long & short-form improv.

Hope you enjoy some things you see here and thanks for checking out the work!

👋 Alexandria (aka ‘zanda’)